Oh, I love this! Every voice is so distinct in tone and style; it would be easy to distinguish one from the other even without the addition of their names. There is one sort of theme tying them all together, in that they see Sherlock as a kind of bundle of contradictions, but that seems to be born from their seeing the truth of that fact underneath all their different and varying perceptions of him. :)
Your Sally continues to be lovely and realistic, and her point of view is one of my favorites, along with Mycroft's, John's, and Sherlock's mother's. And the trip to the museum, with young Sherlock not yet appreciating abstract or surreal art! I love his father's observation on how his sons both pursue freedom in different ways. Oh oh, and this line of Mycroft's, it is so absolutely heartbreaking:
"Perhaps Sherlock was more innocent then, only allowed those concessions because he knew no better."
Mrs. Hudson's and Moriarty's voices are very distinctly, totally them--with the former being a sweet old woman with an unexpected hint of darkness in her past and character, and the latter having an unexpected tone of lightheartedness in his very twisted one, which makes it all the scarier. And I like that Anderson isn't just a blase anti-whatever to the protag used to garner sympathy for said protag like he is in the show, but that he seems himself as a guard against the honestly quite sensible idea that Sherlock might turn into a killer.
And John's was wonderful, of course, so very sweet in his and Sherlock's unique way. Chalkboard paint! YARN-BOMBING omg. John surrounded by bubbles! And that quiet, wordless understanding that their relationship encompasses so well. ♥ Lovely.
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Your Sally continues to be lovely and realistic, and her point of view is one of my favorites, along with Mycroft's, John's, and Sherlock's mother's. And the trip to the museum, with young Sherlock not yet appreciating abstract or surreal art! I love his father's observation on how his sons both pursue freedom in different ways. Oh oh, and this line of Mycroft's, it is so absolutely heartbreaking:
"Perhaps Sherlock was more innocent then, only allowed those concessions because he knew no better."
Mrs. Hudson's and Moriarty's voices are very distinctly, totally them--with the former being a sweet old woman with an unexpected hint of darkness in her past and character, and the latter having an unexpected tone of lightheartedness in his very twisted one, which makes it all the scarier. And I like that Anderson isn't just a blase anti-whatever to the protag used to garner sympathy for said protag like he is in the show, but that he seems himself as a guard against the honestly quite sensible idea that Sherlock might turn into a killer.
And John's was wonderful, of course, so very sweet in his and Sherlock's unique way. Chalkboard paint! YARN-BOMBING omg. John surrounded by bubbles! And that quiet, wordless understanding that their relationship encompasses so well. ♥ Lovely.